Takahiko Iimura Movies

  • 1977
    One Frame Duration

    One Frame Duration

    One Frame Duration

    01977HD

    The films concerns the "duration" (or non-duration) of one frame, as the title indicates, the minimum unit of film in space (dark and light) with...

    One Frame Duration
  • 1973
    Plus and Minus

    Plus and Minus

    Plus and Minus

    01973HD

    "Of the new foreign work I saw, (at the Avantgarde Film Festival in London) that of Taka Iimura interested me most – His film + & -, using...

    Plus and Minus
  • 1995
    This Is a Camera Which Shoots This

    This Is a Camera Which Shoots This

    This Is a Camera Which Shoots This

    01995HD

    "This Is a Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...

    This Is a Camera Which Shoots This
  • 1991
    Concept Tapes 1

    Concept Tapes 1

    Concept Tapes 1

    01991HD

    Concept Tapes 1
  • 1984
    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    01984HD

    A mind-twisting video, meditating on the experience of watching film/video, and of seeing and being seen. Prodded by a succession of riddles, the...

    Shadowman (The Structure of Seeing and Hearing)
  • 1984
    New York Hot Springs

    New York Hot Springs

    New York Hot Springs

    01984HD

    ‘New York Hot Springs’ (1984) is scenes of steam coming out of many streets of New York, a typical scene in winter, in repeated cycles of...

    New York Hot Springs
  • 1966
    Why Don't You Sneeze

    Why Don't You Sneeze

    Why Don't You Sneeze

    01966HD

    labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.

    Why Don't You Sneeze
  • 1972
    Models: A-3: Time Length 1,2,3,4

    Models: A-3: Time Length 1,2,3,4

    Models: A-3: Time Length 1,2,3,4

    01972HD

    "These two reels (A-1~4, B-1~4) of MODELS I think are unusually important works. You are certainly one of the filmmakers to so explicitly direct your...

    Models: A-3: Time Length 1,2,3,4
  • 1975
    24 Frames per Second

    24 Frames per Second

    24 Frames per Second

    01975HD

    This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

    24 Frames per Second
  • 2003
    I am (Not) Seen

    I am (Not) Seen

    I am (Not) Seen

    02003HD

    This video deals with the perception of seeing including the words as I see you, I am seen, and I am not seen. These words are superimposed over the...

    I am (Not) Seen
  • 1972
    Models: B-1: Counting, 100 Or X's

    Models: B-1: Counting, 100 Or X's

    Models: B-1: Counting, 100 Or X's

    01972HD

    Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

    Models: B-1: Counting, 100 Or X's
  • 1991
    Concept tape 3 (Performance)

    Concept tape 3 (Performance)

    Concept tape 3 (Performance)

    01991HD

    A compilation tape of performances including John Cage Performs James Joyce, Arakawa, and Iimura's first AIUEONN and As I See You You See Me shot...

    Concept tape 3 (Performance)
  • 1969
    Face

    Face

    Face

    01969HD

    The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

    Face